instruments. From left, C whistle with 1 key by Barnett Samuel & Son,
London (1869-1876); C & D Mellow Dog whistles in brass by Jerry Freeman,
USA (2012); D flute in boxwood & ivory with 4 pewter keys by William
Henry Potter, London (1806-1814); D flute in boxwood & ivory with one
brass cut key by Metzler, London (1788-1816); D flute in African blackwood
with 6 keys by Skip Healy, USA (c2003); Bb fife by George Cloos & Crosby
(1868-1902); C/Bb fife in boxwood of unknown provenance, marked with lyre;
D piccolo with single key in ebony, unmarked; D whistle in pink ivory and
silver by Chris Abell (c2013); D flageolet in boxwood with ivory finger
posts, Milner (dates unknown); Bb band flute in ebony with 6 nickel keys,
maker unknown, leather marching/storage case stamped "R.STAFFORD |
1915"; D Boehm-system flute by Jupiter di Medici (c2012).
Milissa has played flute since
she was either 10 or 12 years old...she can't quite remember, but it was
a long time ago.
While she continues her work with modern Boehm-style flutes and music
appropriate for them, her musical interests these days also includes the
music, "classical" and otherwise, played on the pre-modern simple
system instruments: Baroque & Classical period flutes, piccolos, fifes,
whistles, and flageolets. For these projects she restores various historical
instruments, and also works on modern reproductions of museum-held instruments.
Rather than restricting herself to solo or formal settings, Milissa also
is exploring music in its social context, such as performances in conjunction
with dancers. Moreover,
given the enormous number of flute players in this world, she strongly
support flute choirs as well as flute, fife, whistle & piccolo bands.
Milissa teaches private lessons on a wide variety of instruments. Lessons
are held in her West Asheville studio or via Skype.
TEACHERS, INFLUENCES & TENDENCIES
Milissa studied classical flute
Adams Atwood, now Board Chair for the National Flute Association.
Having won numerous regional awards, Milissa then matriculated at age
seventeen to Brevard
College as a performance musician where she sat principal for the
At age 18, she moved from Brevard to Monterey, California, where she enjoyed
a brief career as Rock Flute Player for the inimitable Jill
Childers. Jill rocked on, but Rock Flute didn't...Milissa eventually
moved back across the country.
These days she is home again in North Carolina, and back to what she knows
and loves musically as well. She has studied with Irish flute-player,
penny whistle maestro, Bill
Ochs; and Irish flute-player, Conal
In consultation with Lindsay
Leach-Sparks, Milissa also continues her woodwind and historical studies
of the pre-modern musical eras, using antique instrumentation: flageolets;
recorders; and various Renaissance, one-key and simple system flutes/piccolos/fifes.
A modern Boehm system flute tends to hang around on standby as well.
MORE MUSIC LINKS
inventory of instruments
works of others lots
& lots of music links
prod·i·gal ('prädigl/): (1) having
or giving something on a lavish scale; (2) a person who leaves home and
behaves recklessly, but later makes a repentant return.
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MILISSA ELLISON DEWEY